An American Dream
In almost every genre of literature there is the classic antagonist, and the classic protagonist. When examining these characters, there are certain guidelines which authors follow. However, there are times in literature when the classic guidelines are broken, and a new prototype emerges. Contemporary writer Norman Mailer broke the mold of the classic character(s) when writing the novel, An American Dream. In An American Dream, there is no set protagonist or antagonist. In fact, Mailer has taken these two separate identities and merged them into one character. The product is the main character of the novel, Steven Rojack. Throughout the novel the reader isn^t sure if they want him to succeed, or fail. This is due to Rojack^s ever-changing personality. He first seems like the perfect man, a decorated war hero who knows all the right people. However, shortly after this impression is made another is formed. He murders his wife in cold blood and lies to the police, claimi! ng she committed suicide. As the novel continues however, Rojack realizes the horror of his crime and even confesses what he has done to a woman he loves. Due to the realization of his crime, he is redeemed in the eye of the reader. From this point on, the reader wants Rojack to succeed. However, before final judgement can be passed, it is imperative that Rojack^s entire character be explored.
Steven Rojack is first introduced as a prominent man in society who becomes recognized due to his decoration in military service. Through this service he became close with many famous politicians, Jack Kennedy being one. It is through Jack that Rojack meets his first wife, Deborah, a woman who he describes ^would be bored with a diamond as big as the Ritz^ (1) After serving a term in Congress, he and Deborah marry.
Unfortunately, the relationship they have is one in which Deborah has full control. As he continues to describe the relationship...
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